Archive for the 'Pictures' Category
Pedestrian Underpass
Monday, May 3rd, 2010For today, here is a photo that didn’t quite fit within the Boundaries of Power post at polis. It is one of Moscow’s ubiquitous pedestrian underpasses during the late 1960s or 1970s. These tunnels make it possible to cross huge streets in a reasonable amount of time, and there are often vendors and performers along the way. A particularly good rock band plays in the underpass leading to the Arbat. They seem to be there every day, surrounded by a festive crowd. Once a dapper elderly couple was ballroom dancing at the center. Parades of rollerbladers click down the stairs and streak by. Rushes of people make it seem like a party when it rains.
Credits: Photo scanned from Moscow Past and Present by V. Promyslov.
Across the Sky
Monday, April 26th, 2010“The users of such machines do not touch the ground, but move forward through the connection of their hands and feet to grips and pedals transferring physical force to wheels, propellers…”
Christoff Asendorf in Batteries of Life: On the History of Things and their Perception in Modernity, Translated by Don Reneau.
Credits: “Deux filles se promènent à travers le ciel” by Max Ernst, 1929, scanned from Batteries of Life.
Stein on a Collective Farm
Sunday, April 18th, 2010While searching for images for a recent post on Clarence Stein, I came across this photo of him (second from left) visiting a collective farm in Russia’s Arkhangel region in 1927. Apparently he was there to discuss regional planning studies for agriculture and settlement undertaken by his colleague Benton MacKaye (who also worked to establish the Appalachian Trail).
Credits: Image scanned from The Writings of Clarence Stein, Edited by Kermit Parsons.
Stone Thrower in Paris
Saturday, February 27th, 2010A Postcard from Hawaii, 1969
Saturday, January 30th, 2010[Originally posted to polis] This is a postcard of the Hawaii State Capitol around the time of its completion in 1969. The caption on the back says: “Hawaii’s striking and unusual State Capitol is an unforgettable sight when illuminated at night.” Although this sounds kind of euphemistic, the building does appear striking and even beautiful in the photos I’ve seen.
Apparently, the architectural team (a collaboration between Belt, Lemon and Lo, and John Carl Warnecke) explained the building with metaphors from local geography. The reflecting pool is the Pacific Ocean, the legislative chambers are volcanoes, and the columns are coconut trees, with eight on each side to represent the state’s main islands. Even the chandeliers in the legislative chambers are representative (of the sun and moon, that is). My favorite part is the open center, as “it is said that the sky is Hawaii’s capitol rotunda.” (more…)
In Solidarity with Haiti
Friday, January 15th, 2010
“Residents interviewed through the city said that the cries that they heard emanating from many collapsed buildings in the initial hours after the quake had begun to soften, if not quiet completely.” New York Times (Jan 15, 2010)
Earthquake response teams in Port-au-Prince explain that there is a 72-hour period in which people trapped under collapsed buildings can be rescued alive. We’re now at 67 hours. While there are still people under the rubble and homeless children searching for their families in the streets, it may be too soon to reflect upon the horrible aftermath of the earthquake in Haiti. However, after donating as much as we can and still feeling helpless at the sight of the images in the news, this may be the best time. (more…)
Jean Prouvé: Modern Craftsmanship
Wednesday, December 23rd, 2009House for the Tropics, Niger and Congo, 1949
[Originally posted to polis] Jean Prouvé was born in Nancy, France, in 1901. His father was a painter and his mother a musician. Their community reflected the values of the Arts and Crafts Movement, which saw potential in craftsmanship for resolving social problems. Prouvé apprenticed as a blacksmith, working on a variety of architectural projects before setting up his own practice in 1924. Through his commissioned work, he used modern technology to experiment with materials, structure, and form. In 1930, he joined Le Corbusier in founding the Union des Artistes Modernes (UAM), which was aimed at fostering connections between the arts and industrial production.
Prouvé’s structures tended to be light, flexible, and even mobile, combining traditional building materials with aluminum and steel. Prefabricated parts were designed and developed with care in his workshop. He and his wife (pictured at left) built a house on a challenging parcel of land overlooking Nancy, mostly out of leftover parts from professional projects. His range of work includes emergency accommodations for war victims, residences for the homeless, and sturdy, easily assembled buildings for French business and colonial interests in Africa (see House for the Tropics, above, and Saharan House, below). Although many of these designs were not widely adopted due to cost or incompatibilities with daily use, they have been preserved as historical landmarks for their striking designs.
Prouvé didn’t believe in utopian master plans. He saw value in theory only when continuously tested and refined through practice. He skillfully combined modern technology with a traditional integration of art and daily life, applying his craft toward improving social conditions. While his designs weren’t always practical, they have proven timeless. The Houses for the Tropics are a case in point. They could be viewed as examples of European arrogance, based on an incorrect assumption that modern technology (and aesthetics) held the answer to socially constructed underdevelopment in the colonies. However, with financing to adapt the structures based on experience and an understanding of local building traditions, they may have become more viable. They’re now displayed by museums, far from the exigencies of daily use.
The images in this post are from the book Jean Prouvé, by Nils Peters. It contains detailed descriptions and images of each project, with emphasis on materials, process, and historical significance. It clearly shows the many lessons to be learned from Prouvé’s ideas.
EDF Power Station in Serre-Poncon (Hautes-Alpes), 1959
Seynave Vacation House in Beauvallon, 1962
Seynave Vacation House in Beauvallon, 1962
Seynave Vacation House in Beauvallon, 1962
Engineering Class at Baghdad University
Tuesday, December 8th, 2009[Originally posted to polis] In light of Katia’s recent photo essay theme, here is a series from OEIL PUBLIC on an engineering class at Baghdad University. The school is described as “a place of peace and freedom where young men and women of all religions can meet without being subjected to the pressure of radical militias.”
Whether or not this is true, it’s interesting to see a different side of Iraq, especially after today’s horrific bombings. I wish I could know how these students process the upheavals of the past decade. How does violent change influence their studies and ambitions? Who do they look up to? How do they perceive their environments?
Walter Gropius was among the lead designers of the university in the 1950s. Hisham Ashkouri, a graduate of the architecture program, planned the campus expansion (above) in the 1980s. As another 30 years have nearly passed, what’s next?

The campus environment in the midst of a war-torn city brings to mind the inseparability of buildings and politics (for more on this subject, there is a thoughtful post about the banning of minarets in Switzerland on BLDG BLOG). I’m not sure how much influence professional designers have on the politics of development. People who build their homes in slums may have more. I wonder if today’s design students have new ideas about their place in the world.
Credits: Photos of students at Baghdad University by Jérôme Sessini. Map of Hisham Ashkouri’s Baghdad University campus expansion from Wikimedia Commons.
Public Parks in Moscow
Saturday, October 17th, 2009
[Originally posted to polis] After growing up with an image of Moscow as bleak and inhospitable, I was surprised to find so many attractive parks on my first visit to the city. According to the Moscow Wikipedia entry, here are 96 parks, 18 public gardens, and 100 square kilometers of forest. These figures come from a Russian government site that is currently not accessible, but they seem fairly accurate (please let me know if you’ve seen any good studies on this). The entry provides an estimate of 27 square meters of parkland per citizen, compared with 8.6 in New York, 7.5 in London, and 6 in Paris. Besides official parks, there are countless tree-lined paths, landscaped squares, and other plantings throughout the city.
It seems that crews of workers are always performing maintenance, although I’ve heard that parks are neglected in some parts of the city. Many have simple dirt paths that weave through dense foliage. It can seem like you’re in the middle of the wilderness, even though busy streets are never far away. Many parks have flowerbeds, ponds, benches, fountains, statues, and playgrounds. These additions are beautiful in the way of functional, durable, understated things. Of course, there are also grandiose structures from the past, but these are counterbalanced by views of birch trees that sparkle against deep forest backgrounds.
Moscow’s parks are highly accessible. They can be found within walking distance of any residential area, and on the metro, bus, and tram lines. My favorite is Neskuchny (Not Boring) Garden, which lines the Moscow River just southwest of Gorky Park. It has restful paths, a public amphitheater, and this statue of a swimmer facing the river. Neskuchny Garden leads to Vorobyovy Hills, where a majestic ski jump (complete with working chairlift) watches over the city. Izmaylovsky Park covers over 15 square kilometers. To give a sense of scale, Central Park in New York covers 3.4 square kilometers. Sokolniki, another expansive city park, borders Losiny Ostrov National Park, which has an area of 116 square kilometers (thanks again to Moscow’s Wikipedia page for these numbers). The Botanical Garden of the Russian Academy of Sciences is vast and multifaceted, with exhibitions, research facilities, exotic plants, greenhouses, streams, and old-growth forest. Moscow University has a botanical garden just north of the garden ring, which was built over 300 years ago as a source of medicinal herbs. Trees grow through the stone wall that surrounds it.
Parks in Moscow reflect the influence of historic ideas on urban landscapes. There are elements of feudalism, socialism, and capitalism. There is monarchy, anarchy, religion, modernism, and post-modernism. I think I will begin a series on the history of Moscow’s public park system. Each post could look at the influence of a different era: first, the rise of new ideas that culminated in socialist visions for the city; second, Stalin; third, Khrushchev and Brezhnev in Stalin’s wake; fourth, perestroika and the end of the Soviet state; fifth, economic crisis, recovery, and capitalist development. In looking at how different ideas shape urban landscapes, there may be lessons for improving the quality of life in cities.
Credits: Photo of Moscow’s Chistye Prudy Park by Peter Sigrist. Photo of a statue in Neskuchny Garden by trueol.














